Post by Romy Ocon on Mar 17, 2008 3:41:55 GMT
Hi Gang,
I just finished calibrating my dual display using a Monaco Optix Xrite:
1. Main display - Viewsonic VX2025wm, 1680x1050 res., 16.7m colors, 20.1"
2. Secondary display - Viewsonic VX1940w, 1680x1050 res., 16.7m colors, 19"
6500K temp., Gamma 2.2
White point luminance = about 115 cd/cm^2 for both displays (good for working in moderate-slightly bright ambient light).
According to both my expert color consultants (the domestic boss and the 11-year old birdshooter wannabe), both displays look virtually identical now in all aspects. My previous prints also match well with the LCD version of their digital files.
Also, both displays pass with flying colors (pun intended ;D) the quick tests mentioned in this thread:
birdphotoph.proboards107.com/index.cgi?board=gear&action=display&thread=482
The pixel pitch of the VX2025wm (1680x1050 on a 20.1" diagonal) is already small compared to the 22" versions of the same resolution. But I love the even smaller pitch of the 1940w (1680x1050 on a 19" diagonal) - this can resolve better the fine feather detail.
To guide me in optimizing my PP workflow as far as color reproduction is concerned, I benchmarked the VX2025wm's color gamut vs those of various media:
1. I'm glad to see that my primary display is capable of a bit wider gamut than Apple RGB:
2. Here's how large the gamut of Adobe RGB is compared to my primary monitor's RGB:
3. And here's the gamut of Japan Color 2001 Coated, a paper with one of the larger gamuts available. It's interesting to note how limited the gamut can be in paper prints (book/magazine prints, not photo lab prints). In other words, a good LCD monitor can display some color ranges that can no longer be printed on the best coated papers.
To those who wish to profile their display(s) using any hardware profiler on Windows XP, I highly recommend downloading the Microsoft Color Control Panel Applet (free) for better color management.
Here's the link:
www.microsoft.com/windowsxp/using/digitalphotography/prophoto/colorcontrol.mspx
Romy
I just finished calibrating my dual display using a Monaco Optix Xrite:
1. Main display - Viewsonic VX2025wm, 1680x1050 res., 16.7m colors, 20.1"
2. Secondary display - Viewsonic VX1940w, 1680x1050 res., 16.7m colors, 19"
6500K temp., Gamma 2.2
White point luminance = about 115 cd/cm^2 for both displays (good for working in moderate-slightly bright ambient light).
According to both my expert color consultants (the domestic boss and the 11-year old birdshooter wannabe), both displays look virtually identical now in all aspects. My previous prints also match well with the LCD version of their digital files.
Also, both displays pass with flying colors (pun intended ;D) the quick tests mentioned in this thread:
birdphotoph.proboards107.com/index.cgi?board=gear&action=display&thread=482
The pixel pitch of the VX2025wm (1680x1050 on a 20.1" diagonal) is already small compared to the 22" versions of the same resolution. But I love the even smaller pitch of the 1940w (1680x1050 on a 19" diagonal) - this can resolve better the fine feather detail.
To guide me in optimizing my PP workflow as far as color reproduction is concerned, I benchmarked the VX2025wm's color gamut vs those of various media:
1. I'm glad to see that my primary display is capable of a bit wider gamut than Apple RGB:
2. Here's how large the gamut of Adobe RGB is compared to my primary monitor's RGB:
3. And here's the gamut of Japan Color 2001 Coated, a paper with one of the larger gamuts available. It's interesting to note how limited the gamut can be in paper prints (book/magazine prints, not photo lab prints). In other words, a good LCD monitor can display some color ranges that can no longer be printed on the best coated papers.
To those who wish to profile their display(s) using any hardware profiler on Windows XP, I highly recommend downloading the Microsoft Color Control Panel Applet (free) for better color management.
Here's the link:
www.microsoft.com/windowsxp/using/digitalphotography/prophoto/colorcontrol.mspx
Romy